Mathilda
Bryngelsson
Mezzo-Soprano
Mathilda Bryngelsson is a lyric mezzo-soprano from
Gothenburg, Sweden. She is currently based in Malmö and is active as an opera- and oratorio singer in Scandinavia, Germany, and now the UK.
She graduated from the University College of Opera in Stockholm in 2019, and she finished her young artist program/master program Malmö Opera Academy in 2022.
12 March, 2026
In 2027, Mathilda will perform her first leading role at a big theater, as she once again takes on the role of Thurza in The Wreckers, this time at Malmö Opera.
12 December 2024:
In 2025, Mathilda will perform the role of Suzuki in two performances of Madama Butterfly at Pfalztheater Kaiserslautern.
1 March, 2026
In 2026, Mathilda will take part in the Emerging Artist Programme at the Garsington Opera in the UK. There she will sing Annina in La traviata and cover Penelope in Il ritorno d'Ulisse.
15 February, 2026
In August of 2026, Mathilda will return to Opera på Österbybruk to perform the role of Thurza in the Swedish premiere of Ethel Smyth's The Wreckers.
“Mathilda Bryngelsson har en klangskön och uttrycksfull mezzosopran. De två till sin karaktär olika ariorna ur Werther respektive Titus framfördes med en både utmärkt teknik och med en konstnärligt övertygande gestaltning.”
"Mathilda Bryngelsson is a beautifully sounding and expressive mezzo-soprano. The two different arias from Werther and Titus were performed with both excellent technique and an artistically convincing performance."
-Jury motivation for 1st place in the singing competition OVIS-Rösten 2021
”Mathilda Bryngelsson gav prov på en fyllig, välmodulerad röst”.
"Mathilda Bryngelsson showed a full, well-modulated voice."
-Uppsala Nya Tidning, March 2019
”Mathilda Bryngelsson i titelrollen har en mjuk och varm mezzosopran”. (Dido & Aeneas, Opera på Österbybruk 2023)
"Mathilda Bryngelsson in the title role has a gentle and warm voice."
- Tidskriften Opera, September 2023
“The sensational Swedish mezzo discovery of the session, MATHILDA BRYNGELSSON, whose voice reminds me of the young Kerstin Meyer, performs Konchakovna. Since ANGELA MEADE's Master Class, I've been having recurrent dreams about Mathilda channeling vocal intensity into Charlotte, Ratmir, Vanya, Lyubasha, Komponist, Orfeo ...”
-Lew's Opera Views and Experiences In Tempo, June 2018
„Die Schwedin Mathilda Bryngelsson lässt als überforderte Mutter ihren Mezzosopran durchaus schon mal die Luft schneiden“ (Hänsel & Gretel, Schloss Rheinsberg, 2021)
"As the overwhelmed Mother, the Swedish Mathilda Bryngelsson lets her mezzo-soprano absolutely cut through the air."
-Märkische Allgemeine, December 2021
